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・ Pierre-Emmanuel Le Goff
・ Pierre-Ernest Abandzounou
・ Pierre-Ernest Boivin
・ Pierre-Ernest Dams
・ Pierre-Esprit Radisson
・ Pierre-Etienne Moitte
・ Pierre-Eugène Grenier
・ Pierre-Eugène Rouanet
・ Pierre-Eugène-Emile Hébert
・ Pierre-Eustache Dostaler
・ Pierre-Flavien Turgeon
・ Pierre-Florent Baillairgé
・ Pierre-Francisque Caroubel
・ Pierre-François Audry de Puyraveau
・ Pierre-François Basan
Pierre-François Berruer
・ Pierre-François Bouchard
・ Pierre-François Brice
・ Pierre-François Casgrain
・ Pierre-François Chabaneau
・ Pierre-François Corosine
・ Pierre-François Flaugergues
・ Pierre-François Forissier
・ Pierre-François Godard de Beauchamps
・ Pierre-François Hugues d'Hancarville
・ Pierre-François Jumeau
・ Pierre-François Martin-Laval
・ Pierre-François Palloy
・ Pierre-François Percy
・ Pierre-François Sinapi


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Pierre-François Berruer : ウィキペディア英語版
Pierre-François Berruer

Pierre-François Berruer (1733 – 4 April 1797) was a French sculptor. He is known for the twelve statues that decorate the front of the Grand Théâtre de Bordeaux.
==Early years==

Pierre François Berruer was born in Paris in 1733.
In 1754 he won the second prize of the Prix de Rome after Charles-Antoine Bridan (1730–1808) with his ''Le Massacre des Innocents''.
He won the first prize in 1756, tied with André-Jean Lebrun (1737–1811), with his ''Abraham et Melchisédech''.
This gained him a scholarship to the Villa Medici in Rome from 1758 to 1764.
He was a pupil of Étienne Maurice Falconet (1716–1791) and René-Michel Slodtz (1705–1764).
After returning to France, Berruer was admitted to the ''Académie royale de peinture et de sculpture'' in 1765.

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